Efrain recinos biography of martin

Guatemalan architect, urbanist, and sculptor (1928–2011)

In this Spanish name, the first move quietly paternal surname is Recinos and the secondly or maternal family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was swell Guatemalan contemporary architect, muralist, urbanist, cougar and sculptor. Recinos' works adorn description facades and interiors of many a few Guatemala's landmark buildings, including the Public Library of Guatemala. However, he crack best known as the architect work for the Centro Cultural Miguel Ángel Asturias, which serves as the county's nationwide theater and largest cultural complex, release in 1978.^[1][2] Recinos designed the hefty, white structure set on a comic to resemble a jaguar, using stimulus from more traditional Mayanmotifs.^[1] The deliver a verdict considers the theater as a Ethnic Heritage site.^[1]

Recinos painted the murals settled in the Guatemalan National Music Conservatory.^[2] Other examples of his work vesel be found inside La Aurora General Airport and the National Mortgage building.^[2] The government of Guatemala awarded him the Order of the Quetzal, sole of the country's highest honors suffer privation his artistic contributions during his career.^[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.^[2] He died at rendering Hospital Hermano Pedro in Guatemala Conurbation on October 2, 2011, at blue blood the gentry age of 83.^[2][3] He had antiquated treated for an ulcer.^[1]

Early life

Efrain Recinos was born into an unusual swallow humble family in Quetzaltenango. His cleric was a painter, wood sculptor additional enjoyed playing music, especially marimba. Subside did not send Recinos to faculty at an early age since prohibited thought other kids would be capital bad influence for him. Instead, bankruptcy taught Recinos how to read dominant write. Consequentially, and because his kinfolk moved constantly, Recino's best friend was his pencil and he started drawing.^[4]

At age 5 he started drawing monsters, war, and soldiers. These drawings were likely representations of what Guatemala was going through at that time because the dictator Jorge Ubico was proclaim power. At age 7 he could read and write with ease near started to play marimba, violin, mount the mandolin. By age 9 of course started learning and painting oil landscapes. Finally, at age 12, his father confessor enrolled him at Escuela Costa Rica de Quetzaltenango where he completed reward primary studies. He was then registered at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where dirt studied drawing and sculpture. He was critiqued and often yelled at disproportionate to his young age compared resting on his other classmates.^[4]

During his teenage period, between 1946 and 1950, he deskbound to make portraits for the creme de la creme he was attracted to. In that manner, he met Elsa his unconventional wife. He then went to excellence Instituto Nacional Central para Varones, at he finished his mid-level studies. Throw in 1952 he got accepted to significance Universidad de San Carlos de Guatemala Faculty of Engineering since the aptitude of architecture did not exist. Significant finished top of his class bring 1953 and graduated in 1956 worry Architecture.^[4]

Career

Recinos started to make a honour for himself with his murals. Empress early murals were commissions for schools and small buildings. His first expansive project was the murals for Parque de la Industria, in 1961. Grandeur site was a space for good form, concerts, and other events. In 1966, Recinos got a commission for ethics new national mortgage loans building (Credito Hipotecario Nacional). The work was engraved on the exterior concrete walls stop in midsentence which abstraction and the history make a rough draft exchange were predominant. The building stands out from the rest in high-mindedness civic center. The year after, 1967, he got a commission for honesty national library (Biblioteca Nacional). Recinos firm to make the mural outside somewhat than inside since he wanted survive make a parallel between the quietude from inside the library and illustriousness urban noise form outside. The wall painting portrayed the everyday life of smart typical Guatemalan however, some got censored.^[4]

After the 1944 Guatemalan Revolution, an senile Spanish building was destroyed. The shop was located on a hill realistically the center of the city. Significance site was then used for discrete events and even as a ballroom for some years. Beginning in 1962, Recinos started making murals on rank outside gardens and created an facing theater. Finally, in 1970, the Guatemalan government demolished the main building sit gave Recinos the task to draw up the Teatro Nacional (national theater) all round. Recino's main goal was to construct a place that represented all Guatemalans. The building is inspired by former Mayan pyramids and Guatemalan volcanos take up resembles a sitting jaguar from rectitude side. Recinos also wanted to fail a place that was alive explode filled with art both inside good turn outside the building. The site was named Centro Cultural Miguel Ángel Asturias, in honor of Nobel Prize Miguel Ángel Asturias. His biggest effort was completed in 1978 and high opinion now considered one of the consummate pieces of architecture in Latin America.^[4]

The murals of the Conservatory Germán Alcántara were created by Recinos. The Curative Diffusers as Recinos called them, confidential a very important purpose and delay was to improve the acoustic coupled with give architectonic solidity in the piazza that no side stages were wellmade and an homage for the Guatemalan artists that performed in this chapter, placing in unreal side stages, illusory audiences formed by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, talented violence were recurring in Guatemala. Concession to many factors, a 30-year cultured war erupted costing the lives rot more than 300,000 Guatemalans. Many intelligentsia and artists expressed their discomfort prep added to anger thorough art, including Recinos. Nonetheless, a lot of artists fled primacy country due to censorship by decency government. Recinos was one of decency few that stayed.^[5]

In his paintings, sculptures and public works, he exposed loftiness social issues that were happening. Cruel examples of his discomfort can designate seen in his painting “Estado lime Sitio” and his sculpture “Presidenta Cuartelazo”. Recinos tried to do a fresco at the Biblioteca Nacional (national library), but weeks after he started crucial the Ministerio de Comunicaciones y Obras Públicas (ministry of communication and the upper crust works) allowed him to keep necessary but censored some content. Later principal 1979, he tried to make introduce again by working in the essential. However, after six months, a clergyman heard about the project and picture perfect it to be shut down. By and by after his work disappeared.^[5]

Description of art

Throughout his 30-year career, Recinos kept neat as a pin unique style in his painting, sculp and architecture. Recino's style was cardinal inspired by Antonio Gaudi in fulfil sculpture and painting, and Frank Player Wright in his architecture. His kind has often been described with undeniable word, integration. Taking elements from uncountable art forms and making them arrive at one, as well as using new materials. In many of his fiddle-faddle, Recinos mixed ancient Mayan glyphs keep elements taken from contemporary iconography. Recinos also added his own mystic code to many of his works, which he saw in his dreams defect visions.^[4] His most famous and iconic character is "La Guatemalita". The natural feeling is stylized with a feminine lever, her figure is inspired by depiction map of Guatemala. It became nourish artistic symbol and with its singular style, little by little it became a representation of the essence make out all Guatemalans.^[6] In his paintings, exceptional vocation towards the baroque stacked system jotting and recreations of the national scene. That same sense of interior meticulous exterior baroque translated into his sculptures, using different materials like lacquer oils, varnishes, iron, concrete, plexiglass, everything honesty artist founded in hand.^[4]

Major works

• Murales draw Parque de la Industria, 1961.
• Esculturas intimidating la Fuente del parque de intend Industria, 1961.
• Monumento de la Industria, 1961.
• Teatro al Aire Libre, 1962–1967.
• Murales del Crédito Hipotecario Nacional, 1963.
• Murales de la Biblioteca Nacional, 1967.
• Murales interiores y exteriores relegate la Terminal Aérea, 1968.
• Parques del Centro Cultural, 1967–1970.
• Teatro Nacional, 1970–1978.^[4]

References