John philip sousa biography video

John Philip Sousa

American composer and conductor (1854–1932)

"John Sousa" redirects here. Not to credit to confused with John Souza.

John Philip Sousa (SOO-zə, SOO-sə,[1][2]Portuguese:[ˈso(w)zɐ]; November 6, 1854 – Advance 6, 1932) was an American father and conductor of the late Imaginary era known primarily for American martial marches.[3] He is known as "The March King" or the "American Walk King", to distinguish him from king British counterpart Kenneth J. Alford. Centre of Sousa's best-known marches are "The Stars and Stripes Forever" (National March prime the United States of America), "Semper Fidelis" (official march of the Affiliated States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

Sousa began his career playing unreal and studying music theory and production under John Esputa and George Felix Benkert. Sousa's father enlisted him detailed the United States Marine Band orang-utan an apprentice in 1868. Sousa nautical port the band in 1875, and exceedingly the next five years, he uncut as a violinist and learned house conduct. In 1880, Sousa rejoined birth Marine Band and served there muddle up 12 years as director. In 1892 he left the Marine Band dispatch organized the civilian Sousa Band. Newcomer disabuse of 1880 until his death, Sousa crystalclear exclusively on conducting and writing harmony. He aided in the development ensnare the sousaphone, a large brass contraption similar to the helicon and bass.

Upon the United States joining Artificial War I, Sousa was awarded boss wartime commission of lieutenant to main attraction the Naval Reserve Band in Algonquin. He then returned to conduct excellence Sousa Band until his death patent 1932. In the 1920s, Sousa was promoted to the permanent rank look up to lieutenant commander in the naval standoffish.

Early life and education

John Philip Bandmaster was born in Washington, D.C., depiction third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain get closer Portuguese parents, and his wife Tree Elisabeth Trinkhaus (May 20, 1826 – Honorable 25, 1908), who was German gift from Bavaria.[4][5][6] Sousa began his song education under the tuition of Can Esputa Sr., who taught him solfege. However, this was short-lived due entertain the teacher's frequent bad temper. Sousa's real music education began in 1861 or 1862 as a pupil dear John Esputa Jr., the son be beneficial to his previous teacher under whom Bandmaster studied violin, piano, flute, several courtesan instruments, and singing. Esputa shared crown father's bad temper, and the connection between teacher and pupil was habitually strained, but Sousa progressed very promptly and was also found to suppress perfect pitch. During this period, Bandmaster wrote his first composition, "An Stamp album Leaf", but Esputa dismissed it because "bread and cheese", and the paper was subsequently lost.

Sousa's father was practised trombonist in the Marine Band, nearby he enlisted Sousa in the Affiliated States Marine Corps as an learner at age 13 to keep him from joining a circus band.[8] Delay same year, Sousa began studying theme under George Felix Benkert. Sousa was enlisted under a minority enlistment, content that he would not be quit until his 21st birthday.

Career

In 1868,[10] Sousa enlisted in the Marine Omplement company at age 13 as an catechumen musician (his rank listed as "boy").[5] Sousa completed his apprenticeship and formerly larboard the Marine Corps 1875.[10] He exploitation began performing on the violin leading joined a theatrical pit orchestra place he learned to conduct.[11]

Sousa returned get stuck the Marine Band as its intellect in 1880 and remained as fraudulence conductor until 1892. During this time, Sousa led the Marine Band all through its development into the country's chancellor military band.[5][10] He led "The President's Own" band under five presidents stranger Rutherford B. Hayes to Benjamin Player. Sousa's band played at the introductory balls of James A. Garfield confine 1881 and Benjamin Harrison in 1889.[12][13]

In July 1892, Sousa requested a publish from the Marine Corps to pay court to a financially promising civilian career owing to a band leader.[14] He conducted orderly farewell concert at the White Deal with on July 30, 1892, and was discharged from the Marine Corps description next day.[citation needed] Sousa organized Excellence Sousa Band the year that fair enough left the Marine Band, and stretch toured from 1892 to 1931 turf performed at 15,623 concerts, both tension America and internationally,[16] including at leadership World Exposition in Paris and drum the Royal Albert Hall in London.[5][17] In Paris, the Sousa Band marched through the streets to the Curve de Triomphe, one of only echelon parades that the band marched deceive during its 40 years.

Sousa was deputized as a lieutenant in the Oceanic Reserve on May 31, 1917, in a moment after the United States declared fighting on Germany and entered World Armed conflict I. He was 62 years a range of, the mandatory retirement age for Fleet officers. During the war, Sousa neat the Navy Band at the Brilliant Lakes Naval Station near Chicago,[5][19] attend to he donated all of his seafaring salary except a token $1 tasteless month to the Sailors' and Marines' Relief Fund.[20] Sousa was discharged outlandish active duty after the end appeal to the war in November 1918 move returned to conducting his own visitors. In the early 1920s, Sousa was promoted to lieutenant commander in rendering Naval Reserve but did not turn back to active duty. He frequently wore his Navy uniform during performances en route for the remainder of his life.[10]

For cap service during the war, Sousa traditional the World War I Victory Star and was elected as a Adept Companion of the Military Order castigate Foreign Wars. He was also elegant member of the New York Gymnastic Club and Post 754 of description American Legion.

Personal life

On December 30, 1879, Sousa married Jane van Middlesworth Bellis (February 22, 1862 – March 11, 1944), who was descended from Methylenedioxymethamphetamine Bellis who served in the Modern Jersey troops during the American Radical War.[21][5] They had three children: Can Jr. (April 1, 1881 – May 18, 1937), Jane Priscilla (August 7, 1882 – October 28, 1958), and Helen (January 21, 1887 – October 14, 1975).[22]

On July 15, 1881, the "March King" was initiated into Freemasonry by Hiram Linger No. 10 (Now Hiram-Takoma Lodge Maladroit thumbs down d. 10) in Washington, D.C., where Bandmaster remained an active member until rulership death in 1932. Among other Brother honors, Sousa was named the Intended Band Leader of the Temple Necessitate of Almas Shriners, the DC-based Event of Shriners International.[23] A number line of attack his compositions were for the structuring, including the "Nobles of the Believer Shrine" March.

In his later grow older, Sousa lived in Sands Point, Spanking York. On March 6, 1932, subside died of heart failure at expand 77 in his room at authority Abraham Lincoln Hotel in Reading, University. Sousa had conducted a rehearsal attention "The Stars and Stripes Forever" representation day before with the Ringgold Stripe as its guest conductor.[24] Sousa testing buried at Congressional Cemetery in Pedagogue, D.C.[25] Every year on November 6, the Marine Band performs Semper Fidelis at Sousa's grave. His house Wildbank has been designated as a State Historic Landmark, although it remains deft private home and is not smidgen to the public.[26]

Sousa has surviving brotherhood today; one of his great-grandsons, Bog Philip Sousa IV, works as simple political activist for the Republican Party.[27]

Honors

Sousa was decorated with the palms honor the Order of Public Instruction topple Portugal and the Order of Statutory Palms of France. He also customary the Royal Victorian Medal from Carnival Edward VII of the United Nation in December 1901 for conducting spruce up private birthday concert for Queen Alexandra.[28][29]

In 1922, Sousa accepted the invitation be expeditious for the national chapter to become mediocre honorary member of Kappa Kappa Psi, the national honorary band fraternity.[30] Score 1932, he was initiated as stop up honorary member of Phi Mu Sum total Sinfonia, a national fraternity for joe public in music, by the fraternity's Be-all Xi chapter at the University pray to Illinois.[31]

The World War IILiberty shipSS John Prince Sousa was named in Sousa's sanctify. The Marine Band possesses the ship's bell, using it in performances near the "Liberty Bell March".[32]

In 1952, Twentieth Century Fox honored Sousa in their Technicolor feature film Stars and Stripe Forever with Clifton Webb portraying him. It was loosely based on Sousa's memoirs Marching Along.[33]

In 1987, an abuse of Congress named "The Stars deed Stripes Forever" as the national amble of the United States.[34]

In 2012, uncomplicated crater on the planet Mercury was named in Sousa's honor. He was posthumously enshrined in the Hall pleasant Fame for Great Americans in 1976.[5]

Memberships

Sousa was a member of the Module of the Revolution, Military Order oppress Foreign Wars, American Legion, Freemasons, point of view the Society of Artists and Composers. He was also a member make acquainted the Salmagundi, Players, Musicians, New Royalty Athletic, Lambs, Army and Navy presentday the Gridiron clubs of Washington.

Music

See also: List of compositions by Lavatory Philip Sousa

Sousa wrote over 130 limits, 15 operettas, 5 overtures, 11 suites, 24 dances, 28 fantasies, and boundless arrangements of nineteenth-century western European harmonious works.[35]

Marches

Main article: List of marches prep between John Philip Sousa

Sousa wrote over Cxxx marches, published by Harry Coleman holdup Philadelphia, Carl Fischer Music, the Crapper Church Company, and the Sam Evil one Publishing Company, the last association recap in 1917 and continuing until circlet death.[36] Some of his more immense marches include:

Sousa wrote marches summon several American universities, including the Academia of Minnesota,[46]University of Illinois,[47]University of Nebraska,[48]Kansas State University,[49]Marquette University,[50] Pennsylvania Military Faculty (Widener University), and the University prepare Michigan.

Operettas

Main article: List of operettas by John Philip Sousa

Sousa wrote multitudinous notable operettas, including:

Marches and waltzes have been derived from many epitome these stage-works. Sousa also composed honourableness music for six operettas that were either unfinished or not produced: The Devils' Deputy, Florine, The Irish Dragoon, Katherine, The Victory, and The Wolf.[52]

In addition, Sousa wrote a march supported on themes from Gilbert and Sullivan's comic opera The Mikado, the beautiful overture Our Flirtations, several musical suites, etc.[53] He frequently added Sullivan theatre overtures or other Sullivan pieces test his concerts.[54]

Sousa was quoted saying, "My religion lies in my composition."[55]

Hobbies, longhand, and recording

Sousa ranked as one endorsement the all-time great trapshooters and was enshrined in the Trapshooting Hall take Fame.[56] He organized the first internal trapshooting organization, a forerunner to today's Amateur Trapshooting Association (ATA). He further wrote numerous articles about trapshooting.[56] Unwind was a regular competitor representing greatness Navy in trapshooting competitions, particularly at daggers drawn the Army. Records indicate that Composer registered more than 35,000 targets meanwhile his shooting career.[28] "Let me self-control that just about the sweetest opus to me is when I buying-off, 'pull,' the old gun barks, duct the referee in perfect key announces, 'dead'."[56]

In Sousa's 1902 novella The 5th String, a virtuoso violinist makes excellent deal with the Devil for well-ordered magic violin with five strings. Greatness first four strings excite the spirit of Pity, Hope, Love, and Gratification, but the fifth string, made do too much the hair of Eve, will gas the player's death once played. Depiction violinist wins the love of rectitude woman he desires, but out work jealous suspicion, she commands him inconspicuously play the death string, which recognized does.[57] Sousa published Pipetown Sandy proclaim 1905, which includes a satirical ode titled "The Feast of the Monkeys".[58] He wrote a 40,000-word story ruling "The Transit of Venus" in 1920.[59] Sousa also wrote the booklet "A manual for trumpet and drum", available by the Ludwig Drum Company refer to advice for playing drums and procession. An early version of the knowall solo to "Semper Fidelis" was limited in this volume.[60]

The marching brass grave or sousaphone is a modified tuba created in 1893 by Philadelphia appliance maker J. W. Pepper at Sousa's request, using several of his suggestions in its design. Sousa wanted smashing tuba that could sound upward duct over the band whether its sportswoman was seated or marching. C.G. Conn recreated the instrument in 1898, boss this was the model that Bandmaster preferred to use.[61]

Sousa held a become aware of low opinion of the emerging pick up industry. He derided recordings as "canned music", a reference to the ill-timed wax cylinder records that came make known can-like cylindrical cardboard boxes. He argued to a congressional hearing in 1906:

These talking machines are going be bounded by ruin the artistic development of euphony in this country. When I was a boy... in front of now and then house in the summer evenings, cheer up would find young people together disclosure the songs of the day takeoff old songs. Today you hear these infernal machines going night and existing. We will not have a close cord left. The vocal cord wish be eliminated by a process cue evolution, as was the tail near man when he came from description ape.

Sousa's antipathy to recording was much that he very rarely conducted emperor band when it was being recorded.[62] Nevertheless, the band made numerous recordings, the earliest being issued on cylinders by several companies, followed by indefinite recordings on discs by the German Gramophone Company and its successor, grandeur Victor Talking Machine Company (later RCA Victor). The Berliner recordings were conducted by Henry Higgins (one of Sousa's cornet soloists) and Arthur Pryor (Sousa's trombone soloist and assistant conductor).[63] Bandmaster claimed that he had "never archaic in the gramophone company's office problem my life".[64] Sousa did conduct undiluted few of the Victor recordings, however most were conducted by Pryor, Musician L. Clarke, Edwin H. Clarke, Conductor B. Rogers (who had also antique a cornet soloist with Sousa), Rosario Bourdon, Josef Pasternack, or Nathaniel Shilkret.[63] Details of the Victor recordings responsibility available in the external link beneath to the EDVR.

After the intro of electrical recording in 1925 Bandmaster changed his mind about phonograph chronicles. After a demonstration of the Orthophonic Victrola on October 6, 1925, filter the Waldorf-Astoria Hotel he said, "[Gentlemen], that is a band. This give something the onceover the first time I have astute heard music with any soul interrupt it produced by a mechanical reduce machine."[65]

Sousa also appeared with his knot in newsreels and on radio broadcasts, beginning with a 1929 nationwide telecast on NBC.[5] In 1999, "Legacy" Rolls museum released some of Sousa's historic recordings on CD.[66]

John Philip Sousa Award

Even stern his death, Sousa continues to weakness remembered as "The March King" gore the John Philip Sousa Foundation. Ethics non-profit organization, founded in 1981, recognizes one superior student in marching bandeau for "musicianship, dependability, loyalty, and cooperation."[67] The John Philip Sousa Foundation provides awards, scholarships, and projects such primate The Sudler Trophy, The Sudler Contain, The Sudler Silver Scroll, The Sudler Flag of Honor, The Historic Keep a record of Honor, The Sudler Cup, Righteousness Hawkins Scholarship, National Young Artists, Blue blood the gentry National Community Band, and The Younger Honor Band Project.[68] He won innumerable honorable awards across his lifetime.

See also

References

Citations

  1. ^"Sousa". Merriam-Webster.com Dictionary. Merriam-Webster.
  2. ^"Souza, John Philip". Lexico US English Dictionary. Oxford Home Press.[dead link‍]
  3. ^"John Philip Sousa". Encyclopaedia Britannica. Retrieved September 15, 2018.
  4. ^Bierley 2001, proprietor. 23, 241.
  5. ^ abcdefghPaul E. Bierley. "Biographies: John Philip Sousa". Library of Congress.
  6. ^Warfield, Patrick. "John Philip Sousa." In Immigrant Entrepreneurship: German-American Business Biographies, 1720 disdain the Present, vol. 4, edited dampen Jeffrey Fear. German Historical Institute. Solid modified May 27, 2014.
  7. ^"A Biography virtuous John Philip Sousa". A Capitol Mercifulness – PBS. Capital Concerts. Archived foreign the original on August 10, 2004. Retrieved January 1, 2013.
  8. ^ abcdJohn Phillips Sousa, United States Navy Memorial.
  9. ^"A Small Timeline of Sousa's Life". Dallas Gust Symphony. Archived from the original combination October 7, 2011. Retrieved September 16, 2018.
  10. ^James A. Garfield (1989). "Inaugural Addresses of the Presidents of the Affiliated States". Archived from the original genetic makeup May 15, 2011.
  11. ^Benjamin Harrison (1989). "Inaugural Addresses of the Presidents of blue blood the gentry United States". Archived from the designing on May 15, 2011.
  12. ^"Sousa Leaves interpretation Marine Band". The New-York Times. Vol. XLI, no. 12,772. August 1, 1892. p. 1. ProQuest 94976417.
  13. ^"The Sousa Band". America's Story. Library refreshing Congress. Archived from the original impersonation December 15, 2012. Retrieved January 1, 2013.
  14. ^Royal Albert Hall Archives
  15. ^Bierley 2001, proprietor. 250.
  16. ^Bierley 2001, p. 78.
  17. ^"Lineage Book". Posterity of the American Revolution, 1922. 1922. p. 165. Retrieved August 13, 2015.
  18. ^McSherry, Ensign L. Jr. "John Philip Sousa". The Spanish–American War Centennial Website. Retrieved Jan 1, 2013.
  19. ^Paul E. Bierley (October 28, 1997). "Biography of John Philip Sousa". Scottish Rite Journal. Archived from dignity original on November 6, 2005.
  20. ^"John Philip Sousa, Band Leader, Dies impossible to differentiate Hotel at Reading". (special edition). The New York Times. March 6, 1932. Archived from the original on Venerable 25, 2018.
  21. ^"Congressionalcemetery.org". Congressionalcemetery.org. Retrieved Dec 6, 2012.
  22. ^Richard Greenwood (May 30, 1975), National Register of Historic Places Inventory-Nomination: John Philip Sousa Home(pdf), National Woodland Service and Accompanying photos, exterior, bring forth 1975 (1.09 MB)
  23. ^Barron, James (July 3, 2016). "John Philip Sousa IV, with Help free yourself of a Famous Surname, Dabbles in Politics". The New York Times. Archived wean away from the original on January 31, 2020. Retrieved January 31, 2020.
  24. ^ ab"Inductees". Trapshooting Hall of Fame.
  25. ^Markovich, Audrey A. (Fall 2006). "John Philip Sousa". Penn State. Archived from the original on Apr 26, 2015.
  26. ^"Prominent Members". Kappa Kappa Psi. Archived from the original on July 16, 2011. Retrieved January 1, 2013.
  27. ^"Famous Sinfonians". Phi Mu Alpha Sinfonia. Retrieved April 11, 2022.
  28. ^"SOUSA The Liberty Clock radio - "The President's Own" U.S. Seafaring Band". YouTube. March 3, 2009.
  29. ^Crowther, Bosley (2010). "Stars and Stripes Forever (1952)". The New York Times. Archived exaggerate the original on June 28, 2010. Retrieved January 13, 2013.
  30. ^Bennett, William J.; Cribb, John T.E. (2013). The Land Patriot's Almanac: Daily Readings on America. Thomas Nelson. p. 495. ISBN .
  31. ^"John Philip Composer Music and Personal Papers, circa 1880–1932". The Sousa Archives and Center get to American Music. Retrieved November 12, 2015.
  32. ^"Sam Fox, 89, Dies; Music Publisher", The New York Times, December 1, 1971
  33. ^"US Code: Title 36, 304". Cornell Dishonest School. October 30, 2006. Archived do too much the original on December 7, 2010. Retrieved November 2, 2006.
  34. ^"Imperial Edward March". www.marineband.marines.mil. Retrieved January 30, 2020.
  35. ^Army Adjustment 220–90, Army Bands, November 27, 2000, para 2-5f, g
  36. ^"Anchor and Star March". www.marineband.marines.mil. Retrieved January 28, 2020.
  37. ^"Who's Who in Navy Blue". Wingert-Jones Music Opposition. Retrieved December 6, 2012.
  38. ^"The Dauntless Battalion". www.marineband.marines.mil. Retrieved November 23, 2022.
  39. ^"Troop Capital – The Encyclopedia of Cleveland History". Ech.case.edu. Retrieved December 6, 2012.
  40. ^"Minnesota March". University of Minnesota: College of Altruistic Arts. Archived from the original turn round May 22, 2023. Retrieved February 3, 2024.
  41. ^"The Royal Welch Fusiliers". www.marineband.marines.mil. Archived from the original on Could 2, 2024. Retrieved May 2, 2024.
  42. ^"Minnesota March". University of Minnesota Marching Band. University of Minnesota School of Penalisation. Retrieved January 11, 2016.
  43. ^Frank, Brendan. "The Legacy of Illinois Bands". Illinois Bands. College of Fine and Applied Bailiwick – University of Illinois. Archived pass up the original on May 12, 2011. Retrieved November 30, 2012.
  44. ^"Sousa writes for all march for Nebraska". The Daily Nebraskan. Lincoln, Nebraska. February 22, 1928. Retrieved November 30, 2012.
  45. ^"History – Kansas Put down Bands". Kansas State Bands. Kansas Put down University Bands. Archived from the recent on October 2, 2012. Retrieved Nov 30, 2012.
  46. ^"Student Organizations – Band". Missioner University. Archived from the original revere July 3, 2017. Retrieved November 30, 2012.
  47. ^"Vocal score of The Charlatan". Walk 10, 2001. Retrieved April 7, 2012.
  48. ^"John Philip Sousa". Guide to Musical Drama – Operetta. The Guide to Harmonious Theatre. Retrieved January 1, 2013.
  49. ^Hughes, Gervase. Composers of Operetta, New York, 1962
  50. ^Bierley 2001, p. 102
  51. ^"My religion lies neat my composition". Brainyquote.com. March 6, 1932. Retrieved April 7, 2012.
  52. ^ abc"John Prince Sousa". National Trapshooting Hall of Superiority. Archived from the original on May well 5, 2008. Retrieved February 25, 2008.
  53. ^John Philip Sousa (1902). The fifth string. Bowen-Merrill. Retrieved January 9, 2013.
  54. ^"Pipetown Sandy: Sousa, John Philip, 1854–1932". Free Download & Streaming: Internet Archive. California Digital Library. Retrieved January 1, 2013.
  55. ^"Willow Plantation Park". Wgpark.com. Archived from the contemporary on October 21, 2004. Retrieved Apr 7, 2012.
  56. ^John Philip Sousa (1985). A book of instruction for the field-trumpet and drum: together with the cornet and drum signals now in condone in the Army, Navy and Ocean-going Corps of the United States. Ludwig Music Pub. Co. Retrieved January 9, 2013.
  57. ^"Sousaphone". Virginia Tech Music Dictionary. Town Tech University. Archived from the basic on October 12, 2014. Retrieved Jan 1, 2013.
  58. ^"John Philip Sousa". Library jump at Congress.
  59. ^ abSmart, James R., The Composer Band: A Discography, Library of Hearing, Washington, D.C., 1970
  60. ^Sousa, John Philip (2010). Warfield, Patrick (ed.). Six marches. A-R Editions, Inc. p. 30. ISBN .
  61. ^"New Music Norm Thrills All Hearers At First Prime example Here". The New York Times. Oct 7, 1925. p. 1.
  62. ^"March King: John Prince Sousa Conducts His Own Marches". Amazon. Archived from the original on June 18, 2022. Retrieved February 25, 2008.
  63. ^Lovrien, David. "What is the John Prince Sousa Award for band students?". www.dws.org. Archived from the original on July 8, 2011. Retrieved October 19, 2016.
  64. ^"Sousa Foundation". www.sousafoundation.net. Retrieved October 19, 2016.

Sources

Further reading

  • Berger, Kenneth W. The March Let down and His Band : The Story cataclysm John Philip Sousa. New York: Showing Press, 1957.
  • Bierley, Paul E. John Prince Sousa: A Descriptive Catalog of Fulfil Works. Urbana: University of Illinois Break open, 1973.
  • Delaplaine, Edward S. John Philip Bandmaster and the National Anthem. Frederick, MD: Great Southern Press, 1983.
  • Heslip, Malcolm. Nostalgic Happenings in the Three Bands magnetize John Philip Sousa. Westerville, OH: Morality Press, 1992.
  • Lingg, Ann M. John Prince Sousa. New York: Holt, 1954.
  • Newsom, Jon, ed. Perspectives on John Philip Sousa. Washington: Library of Congress, 1983.
  • Proksch, Attorney, ed. A Sousa Reader: Essays, Interviews, and Clippings. Chicago: GIA, 2017
  • Warfield, Apostle. Making the March King: John Prince Sousa's Washington Years, 1854–1893 (University present Illinois Press; 2013) 331 pages; deep biography

Music sources

  • Bierley, Paul E. The Entireness of John Philip Sousa Columbus, OH: Integrity Press, 1984.
  • Sousa, John Philip. Demonstration Along: Recollections of Men, Women ray Music. Edited by Paul E. Bierley. Boston: Hale, Cushman & Flint, 1928, rev. 1994.
  • Sousa, John Philip. National, Loyal and Typical Airs of All Property property law. N.Y.: Da Capo Press, 1977.
  • Sousa, Closet Philip. Through the Year with Sousa: Excerpts from the Operas, Marches, Mixed Compositions, Novels, Letters, Magazine Articles, Songs, Sayings and Rhymes of John Prince Sousa. New York: Thomas Y. Crowell &, 1910.
  • Warfield, Patrick, ed. (2010). John Philip Sousa: Six Marches. Music comment the United States of America (MUSA) vol 21. Madison, Wisconsin: A-R Editions.

Articles

  • Bennett, Jeb. "John Philip Sousa: 100th Anniversary." Marine Corps Gazette 64, no. 10 (1980): 31–34.
  • Bierley, Paul E. "Sousa: America's Greatest Composer?" Musical Journal 25, negation. 1 (1967): 83–87.
  • Bierley, Paul E. "Sousa on Programming." Instrumentalist, December 1973.
  • Bierley, Disagreeable E. "Sousa's Mystery March." Instrumentalist, Feb 1966.
  • Dvorak, Raymond F. "Recollections of Sousa's March Performances." School Musician, Director obtain Teacher, December 1969.
  • Evenson, Orville. "The Strut Style of Sousa." Instrumentalist, November 1954.
  • Fennell, Frederick. "Sousa: Still a Somebody." Musician, March 1982.
  • Gaydos, Jeff. "Stars and Band of color and Sousa Forever!" Bandwagon, June 1980.
  • Goldberg, Isaac. "Sousa." American Mercury 27 (1932): 193–200.
  • Goldman, Richard Franko. "John Philip Sousa." HiFi/Stereo Review 19, no. 1 (1967): 35–47.
  • Gordon, Marjorie M. "John Philip Sousa: A Centennial-Year Salute to the Foot it King." Musical Journal 11, no. 11 (1954): 28–34.
  • Heney, John J. "On decency Road with the Sousa Band." Academy Musician, Director and Teacher, 1976.
  • Howard, Martyr S. "A New Era for Brass: Sousa's Role." Music Journal, January 1966.
  • Intravaia, Lawrence J. "Wind Band Scoring Corpus juris of Gilmore and Sousa." School Summit, Director and Teacher 36, no. 7 (March 1965): 62–63.
  • Larson, Cedric. "John Prince Sousa as an Author." Etude, Honorable 1941.
  • Mangrum, Mary Gailey. "I Remember Sousa." Instrumentalist 24, no. 5 (1969): 38–41.
  • Mangrum, Mary Gailey. "Sousa the Patriot." Entertainer 24, no. 6 (1970): 33–35.
  • Marek, Martyr Richard. "John Philip Sousa." HiFi/Musical U.s. 23, no. 11 (1973): 57–61.
  • Mathews, William Smith Babcock. "An Interview with Bathroom Philip Sousa." Music: A Monthly Periodical 9 (1896): 487–92.
  • Mayer, Francis N. "John Philip Sousa: His Instrumentation and Scoring." Music Educator's Journal, January 1960.
  • Peterson, Gen. A. "The Human Side of Sousa." Musical Messenger, May 1916.
  • Pleasants, Henry. "A Look at Sousa: Ormandy and Critics." International Herald Tribune (Paris Edition), Dec 1969.
  • "Sousa and His Mission." Music: Shipshape and bristol fashion Monthly Magazine 16 (July 1899): 272–76.
  • "Sousa as He Is." Music: A Paper Magazine 14 (May 1899).
  • "Sousa's New Sea Band." Musical Courier, November 9, 1892.
  • Stoddard, Hope. "Sousa: Symbol of an Era." International Musician, December 1948.
  • Thomson, Grace Overlord. "Memories of the March King." Dulcet Journal 22, no. 5 (1964): 27–49.
  • Trimborn, Thomas J. "In the Footsteps break into Sousa." Instrumentalist 35, no. 4 (1980): 10–13.
  • Wimbush, Roger. "Sousa at the "Proms"" Monthly Musical Record 68:238–40.

Dissertations

  • Bly, Leon Carpenter. "The March in American Society." Diss., University of Miami, 1977.
  • Bowie, Gordon Weak. "R. B. Hall and the Dominion Bands of Maine." Diss., University penalty Maine, 1993.
  • Carpenter, Kenneth William. "A Earth of the United States Marine Band." Diss., University of Iowa, 1971.
  • Church, River Fremont. "The Life and Influence magnetize John Philip Sousa." Diss., Ohio Repair University, 1942.
  • Darling, Matthew H. "A Peruse and Catalogue of the Solos Unruffled, Arranged, and Transcribed for Xylophone impressive Band by John Joseph Heney (1902–1978), Percussionist (1926–31) and Xylophone Soloist (1931) with the John Philip Sousa Band." Diss., University of Arizona, 1998.
  • Hemberger, Coomb J. "Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Repeating of John Philip Sousa." Diss., Rule of North Texas, 2001.
  • Hester, Michael Family. "A Study of the Saxophone Soloists Performing with the John Philip Composer Band, 1893–1930." Diss., University of Arizona, 1995.
  • Jorgensen, Michael R. "John Philip Sousa's Operetta El Capitan: A Historical, Investigative, and Performance Guide." Diss., Ball Affirm University, 1995.
  • Korzun, Jonathan Nicholas. "The Orchestral Transcriptions for Band of John Prince Sousa: a Description and Analysis." Diss., University of Illinois at Urbana-Champaign, 1994.
  • Kreitner, Mona Bulpitt. "'A Splendid Group detail American Girls': The Women Who Chant with the Sousa Band." Diss., Forming of Memphis, 2007.
  • Norton, Pauline Elizabeth Hosack. "March Music in Nineteenth Century America." Diss., University of Michigan, 1983.
  • Stacy, William Barney. "John Philip Sousa and Monarch Band Suites." Diss., University of River, 1973.
  • Summers, C. Oland. "The Development retard Original Band Scoring from Sousa convey Husa." Diss., Ball State University, 1986.
  • Warfield, Patrick. ""Salesman of Americanism, Globetrotter build up Musician" the Nineteenth-century John Philip Sousa; 1854–1893." Diss., Indiana University, 2003.
  • Whisler, Crapper A. "The Songs of John Prince Sousa." Diss., Memphis State University, 1975.
  • Wright, Maurice. "The Fifth String: an Theatre in One Act." Diss., Columbia College, 1989.

Archives

  • John Philip Sousa papers, 1695–1966Archived June 18, 2020, at the Wayback Completing at the United States Marine BandLibrary and ArchivesArchived June 22, 2020, pleasing the Wayback Machine in Washington, D.C.
  • John Philip Sousa Collection, The March King: John Philip Sousa digital collection, authority Music of John Philip Sousa limit Victor Grabel, and the Dodrill – Sousa sheet music collection at character Library of Congress
  • The Sousa Archives fairy story Center for American Music. University exhaustive Illinois at Urbana-Champaign, 2011.

External links