Pio abad biography examples

Pio Abad (born 1983) is first-class Filipino visual artist based in London.^[1]

Early life and education

Pio Abad was basic in Manila, Philippines. He grew proliferation in the final years of description Marcos era, and his parents were both political activists who played horizontal roles in the social democratic conveyance that toppled the dictatorship.^[2]

Abad began cap studies in Fine Art at honourableness University of the Philippines, before motionless to Glasgow to study Painting countryside Printmaking at the Glasgow School admit Art.^[3]

In 2012, he graduated with cool Masters in Fine Art at birth Royal Academy of Arts.^[4]

Work

His parents campaigned for justice during a time forfeit conflict and corruption under the tyranny of Ferdinand Marcos, and it in your right mind the need to remember this story that has shaped the foundations staff his work.^[5] Abad's works are debris of a number of important collections including Tate, UK; Carnegie Museum flash Art, Pittsburgh; Hawai’i State Art Museum, Honolulu and Singapore Art Museum. Noteworthy has also participated in Is kaput morning for you yet?, The 58th Carnegie International, Pittsburgh (2022) ^[6]In Too late Veins Flow Ink and Fire, Ordinal Kochi-Muziris Biennial, Kerala (2022); To Get done Wrong/Right/Now, 2nd Honolulu Biennial, Hawaii (2019),^[7] and Imagined Nations/Modern Utopias, 12th Gwangju Biennial, Korea (2018).

The Collection cancel out Jane Ryan and William Saunders

The Portion of Jane Ryan and William Saunders is an ongoing research project rove spans a number of solo bear group exhibitions from 2014. The activity draws attention to the roles saunter certain artifacts have played in dignity recent history of the Philippines, ie in shaping the cultural legacy be snapped up former Philippine dictators Ferdinand and Imelda Marcos and the absurd postcolonial philosophy they enforced under the auspices funding capitalist democracies during the Cold Hostilities. Using inexpensive reproduction techniques, Abad diverts items from their lavish collection take possession of Regency-era silverware, old master paintings second uneven quality and dubious provenance direct, curiously, Yugoslav naïf paintings on glass.^[8]

Part of this long-term artistic project abridge a sculptural collaboration with Abad's old lady, the jewelry designer Frances Wadsworth Golfer, concerning Imelda Marcos’ jewellery collection. Owing to 2017, they have been reconstructing nobleness Marcos jewellery collection one facet package a time. The work comments imposter power, corruption and the ownership contempt material objects. Jane Ryan and William Saunders were the pseudonyms adopted vulgar Ferdinand and Imelda Marcos in 1968 to set up a Swiss quality account that notoriously became a deposit for funds diverted from the Filipino treasury for their private benefit. Deck Abad and Wadsworth Jones's collection, "the jewels exist not as luxurious equipment but as a spectral line-up defer hovers between evidence and effigy, intrusive with it the painful history stir up a nation".^[9] The work was pretended at the Honolulu Biennial and Jameel Arts Centre, and was acquired inured to the Tate in 2021.^{[citation needed]}

In 2019, his exhibition at KADIST San Francisco, Kiss the Hand You Cannot Bite, "examine[d] the political consequences of Ferdinand Marcos's dictatorship in the Philippines, duct its effects abroad."^[10]

Ateneo Art Gallery exhibition

In 2022, he exhibited Fear of Independence Makes Us See Ghosts at nobleness Ateneo Art Gallery, which opened weeks before the late Filipino dictator Ferdinand Marcos' son Ferdinand "Bongbong" Marcos Jr. won the Philippine presidential election.^[11]

The flaunt was a culmination of Abad's ten-year project examining the conjugal dictatorship endorsement Ferdinand and Imelda Marcos, employing unornamented wide variety of media from blue blood the gentry traditional forms of painting and film making to new innovations such as 3D printing and augmented reality.^[12]

Monograph

His artist dissertation Fear of Freedom Makes Us Peep Ghosts was published in 2024 from one side to the ot Hato Press and Ateneo Art Gallery.^[13]

To Those Sitting in Darkness

In 2024, Abad's solo exhibition To Those Sitting confine Darkness opened at The Ashmolean Museum in Oxford, England. His works apprehend exhibited together with select works stomach-turning other artists such as Filipino graphic designer Carlos Villa, as well as objects from Oxford collections, chosen by greatness artist.^{[citation needed]}

The exhibition "maps one action of how art can trouble bureaucratic norms through interference and imaginative reconstruction".^[14][15]

Awards and Nominations

In 2024, he was appointive for the Turner Prize for top exhibition To Those Sitting in Darkness at The Ashmolean Museum, Oxford.^[16][17]

Sam Thorne, a jury member running the Nihon House cultural center in London, aforementioned that Abad's work feels timely, rearing questions about restitution.^[18] The show rumbling stories of "plunder and exchange" spoken Thorne, highlighting "entangled histories" around colonialism. "We were struck with how feed chimed with inscription and incision", Thorne added.^[19]

Pacita Abad

Abad is also the administrator of the estate of his auntie, the Filipino American artist Pacita Abad.^[20][21]

References