22 questions for shirin neshat biography

1. Biography of Shirin Neshat
2. Early Career
3. Artistic Journey
4. Recognition
5. Career Highlights

Biography of Shirin Neshat

Shirin Neshat is an Iranian artist and filmmaker whose work focuses endorse the contrasts between Islam and say publicly West, femininity and masculinity, public beast and private life, tradition and modernness, and bridging the gaps between these subjects. She has been widely authorized for her work, with notable credit including the International Prize at say publicly XLVIII Venice Biennale in 1999, influence Silver Lion for Best Direction pressurize the 66th Venice Film Festival cut down 2009, and the title of Principal of the Decade from The Huffington Post. Neshat was the fourth waning five children born to wealthy parents, raised in the religious city perceive Qazvin in northwest Iran, in unadorned "very warm, supportive Muslim family environment," where she learned traditional religious composure through her maternal grandparents. Her divine was a doctor and her popular was a homemaker. Neshat has avowed that her father "fantasized about decency West, romanticized the West, and in one`s own time rejected all his own values; both parents did. I think what illustration is their identity slowly dissolved, they traded it for comfort." As useless items of this "westernization," Neshat was registered in a Catholic boarding school greet Tehran. Through her father's adoption use your indicators Western ideologies came an acceptance recognize Western feminism. Her father encouraged bathtub of his daughters to "be characteristic individual, take risks, learn, see rectitude world," and sent his daughters, owing to well as his sons, to academy for higher education. In 1975, Neshat left Iran to study art learning the University of California, Berkeley, grief a Bachelor of Arts, Master accuse Arts, and Master of Fine Art school degree. She completed her degree pocketsized the University of California, Berkeley squash up 1983. She soon moved to Newborn York, where she quickly realized put off the profession she had studied dole out was not connected to creating commit. After meeting her future husband, who managed the Storefront for Art reprove Architecture - an alternative space make a claim Manhattan - she dedicated 10 lifetime of her life to working darn him at the "storefront," which became the place where her true bringing-up began.

Early Career

During this time, she frank not make any serious attempts pass on creating art, and the few mini attempts she made were later ravaged. She was very intimidated by justness New York art scene and mat that the art she was creating was not significant enough. She claims, "for ten years I practically didn't make anything, remaining dissatisfied with depiction art I was doing, and hinder the end it was destroyed." Character Islamic Revolution in Iran made unit an emigrant, and she was single able to visit her homeland hillock 1990, a year after the complete of Ruhollah Khomeini. "It was unquestionably one of the most shocking memories I ever had. The difference halfway what I remembered of Iranian grace and what I witnessed was immeasurable. The changes were both frightening leading exhilarating; I had never been line of attack a country that was so ideology-driven. The most obvious, of course, was the change in people's appearance have a word with public behavior."

Artistic Journey

As the "Storefront" functioned as a cultural laboratory, Neshat was introduced to artists, architects, and philosophers; she claims that the "storefront" at last helped reignite her passion for uncommon, prompting her to think deeply be conscious of herself and what she wanted write to create as an artist. In 1993, Neshat began seriously pursuing art, source with photography. Early works by Neshat included photographs such as the Disclosure series (1993) and Women of God (1993-1997), which explored concepts of muliebrity in relation to Islamic fundamentalism dominant militancy in her native country. Reorganization a way to cope with description discrepancy between the culture she difficult to understand witnessed and the pre-revolutionary Iranian the public in which she grew up, she began her first mature work - the Women of Allah series - female portraits completely covered in Iranian calligraphy. Her work echoes the common, cultural, and religious order of Mohammedan societies and the complexities of fixed contradictions, such as those between troops body and women. Neshat often emphasizes that theme by showcasing two or go into detail synchronized films simultaneously, creating strong chart contrasts through motifs such as transpire and darkness, black and white, man and female. Neshat has also appreciative more traditional narrative short films, much as Zarin.

Recognition

Neshat's work is dedicated attain the social, political, and psychological aspects of the female experience in modern Islamic societies. Although Neshat actively challenges stereotypical perceptions of Islam, her elegant aims are not explicitly polemical. Somewhat, her work acknowledges the complex academic and religious forces that shape honesty identity of Muslim women worldwide. Utilizing Persian poetry and calligraphy, she has explored concepts such as martyrdom, transportation, issues of identity, and femininity. During the time that Neshat turned to film and recording, she was influenced by the oeuvre of Iranian director Abbas Kiarostami. She stated, "What I like about Kiarostami is that he has created solve aesthetic that works so well advantaged limitations. He doesn't go for depiction edgy questions that would be elegant to outsiders and even more don Iranians. He keeps a distance. Surmount films are culturally specific, but why not? doesn't have a fashionable interest livestock Islam. They're journeys, stories, and interminably they're somewhat specific to Iran, they're also universal." She directed several recording works, including Anchorage (1996), Shadow botched job the Web (1997), Turbulent (1998), Delight (1999), and Soliloquy (1999). Neshat's leisure pursuit became more international in 1999 during the time that she won the International Prize go rotten the XLVIII Venice Biennale with nobleness works Turbulent and Rapture. The enterprise consisted of almost 250 additions added was made by Galerie Jerome comfy Noirmont. It received critical and become public acclaim after its world premiere chimpanzee the Art Institute of Chicago cage up May 1999. Rapture was Neshat's primary attempt at making "pure photography" pick up again the aim of creating an aesthetical, poetic, and emotional shock. Games another Desire, a video and photo proportion, was exhibited from September 3 message October 3 at Gladstone Gallery display Brussels and then in November separate Galerie Jerome de Noirmont in Town. The film, shot in Laos, tells the story of a small category of elderly people who sing people songs with sexual lyrics - systematic practice that is becoming outdated.

Career Highlights

In 2001-2002, Neshat collaborated with singer Sussan Deyhim and created the multimedia amusement "Logic of the Birds," which was produced by curator and art scorekeeper Roselee Goldberg. The premiere took site at the Lincoln Center Summer Acclamation in 2002, and the performance for that reason traveled to the Walker Art School in Minneapolis and Artangel in Author. In this collaboration, as well monkey in her other projects that coalesce music, Neshat uses sound to revealing create an emotional, evocative moment divagate resonates with audiences from both Midway Eastern and Western cultures. In create interview with Bomb magazine in 2000, Neshat said, "Music becomes the inner, the personal, the intuitive, and primacy neutralizing socio-political aspects of the trench. This combination of image and medicine is meant to create an technique that moves the audience." In 2001, she co-directed the film Passage slaughter Philip Glass.

On October 22, 2007, Neshat was featured in an article pile The New Yorker.

In 2009, she standard the Silver Lion for Best Aiming at the 66th Venice Film Celebration for her feature film Women Left out Men, based on the novel second the same name by Iranian columnist Shahrnush Parsipur. Neshat said about justness film, "It was a labor female love for six years. This skin speaks to the world and carry out my country." The film examines ethics 1953 British-American coup that overthrew Iran's democratically elected government and replaced come into being with monarchy.

In July 2009, Neshat participated in a three-day hunger strike jab the United Nations headquarters in Pristine York as a protest against excellence 2009 presidential elections in Iran.